REAL AND UNREAL IN RECENT ROMANIAN CINEMA

Dan Anton VASILIU


Abstract:

The aim of the present study is to try and detected a possible explanation for the real media boom obtained by the productions of short fiction movies of the year 2000 in Romania. We will take into consideration a „show case”, containing six titles with a huge notoriety for the national cinematography. This package of movies is nothing more than the result of a selection made by the administrative authority in the field in Romania.

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